Omnibus Weekend Sinkhole

There is cyclical regret in the active membership of East Theatreblogostan that there is so much bitterness and whining, and so much sniping, and that Scott Walters persists in turning his computer on despite being old and not in New York.

Which, Scott aside, shows an awfully poor understanding of blogging, even after all this time.

Non and semi professional blogging (i.e. 99%) requires the author to overcome day to day inertia to write at all. Even the best of that class of bloggers need something to fire the engines. Which is why it seems like so much of the stream of posts have the volume turned up. If you’re not fired up why would a group of people who are already working at least two jobs take the time to toss words into the void?

There is also a gate problem with blogging. Bloggers don’t want to write newspaper articles, which have to have a low bar to entrance and spend a lot of time circling back to pick up stragglers, they want to write insider editorials with deep insight into their field.

This means (in the case of the theatre niche) that there is a lot of the first few pages of theatre blog hits concerned with what is wrong with theatre, a very valuable discussion that is unfortunately taking place in public as opposed to at the dinner table. A problem because Google doesn’t differentiate between In-house fixing and busking for the outsiders. So this volume of "what’s wrong?" means that all theatre bloggers are whiners who don’t appreciate what they have and want the world to pay them to play in their sandboxes?

No.

It should be so much more forceful. But the answer is simply: No.

I can’t speak for other niches but the vanguard of theatre bloggers are ALL people who are doing the work. These are people who care deeply about their art and their community and want to be able to pursue their art under better circumstances and have more people take part. Isn’t that exactly the group of folks you want up front?

Of course it is. But we need to stop assuming that if someone isn’t with us they are against us, and that if they challenge us or our way of doing things that they are Unamurkin. They are writing from their frame of reference on their way to another frame of reference neither of which is likely yours. Like acting theory – take what works for you and leave the rest. The blogger’s innate desire to snark a dissenter into submission really needs to be eliminated in niche discussions, and the expectation that everyone’s blog will be fact checked or more professionally edited than your own is patently assinine.

Popularity: 39% [?]

www.cambiareproductions.com
  • Twitter
  • Facebook
  • StumbleUpon
  • Tumblr
  • del.icio.us
  • Yahoo! Buzz
  • email
  • Print
  • nick@
    Travis, I've been pulled over here by Scott link in the comment section of his blog today.


    There is no proper way to talk. We are creating new ways and unlearning old ways of talking. We are in the middle of a digital revolution. Since the email listservs and before, this argument is forever. This is a marvelous and good thing.
  • Scott Walters
    Travis -- Well, at first I thought your defense was nice, but kind of unnecessary. But this comment from Nick at RatSass in response to this post (http://theatreideas.blogspot.com/2008/04/tcg-books-wha.html) reminded me not to be so sanguine:


    [Quoting me] "There can be little argument that New York exercises hegemony over the theatre scene in America, and that that hegemony can be described and revolted against. As an individual member of the NY band, you may refuse to march and play, but from the top of the stadium it still looks like I heart NY.” [end quote]



    Similarly the hegemony in theatre education as practiced by universities and academia can be revolted against. As an individual teacher you may refuse to march and play, but from the top of the stadium it still looks like I heart the safety of my tenure.



    And when you continually stereotype those who live in the NYC community, you also force the reverse stereotype to activate. And you appear more and more like the sour grape case of a frustrated theatre career and life. “Those who can’t do, teach.”
  • Travis Bedard
    @Mac,


    Just something that bothers me that happens every 4 months or so...



    And I think that the Scott as the Yankees thing is actually really valid. He's not a victim, and he's not an underdog, but people have long ago stopped responding to what is actually out there on the field and are instead responding emotionally.



    All I want is for people to be responding to the post in hand with the past as building block not agenda?



    Am I making more sense yet?
  • Scott Walters
    'm George Steinbrenner. Mac, you're fired! Travis, buy me another NYC playwright RIGHT NOW!
  • Mac
    I just couldn't tell which blog post was supposed to have triggered this, as you didn't provide a link. Based on the first sentence, it seemed like you were responding to something both recent and specific.


    Incidentally, the perpetual framing of Scott Walters as a put-upon victim has become inaccurate, in my opinion. Scott has, at this point, dominated the theatrical blogosphere. All major conversations are, in some way, a response to him. In our microscopic little community, he's the New York Yankees now. Once it made sense to think of him as the underdog, but not really any more.
  • Travis Bedard
    Mac,


    It's nothing specific... hence the utter lack of specficity in the post. It's just a frustration with the lack of learning that's gone on in the last three years about how this medium works, and how we all relate to one another.



    Every fight that happens happens as though it were the first. We're not moving anywhere.
  • Mac
    Travis, what are you referring to in this post?
  • Scott Walters
    Hey! I'm not THAT old!
blog comments powered by Disqus