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God Bless the Child…

Cambiare’s next production (exact dates pending) is In Pursuit of Childhood. It’s already in it’s 3rd incarnation (as proposed it was called Lunchroom Gods and featured yet MORE mythology!) and beginning the plunge from mine and Will’s brains through the filter of a cast and into reality.

Will and I brainstorm pretty fluidly at this stage. We take an idea, walk it to a conclusion, ask it a few questions, and move on. Sort of the way all the cautious (i.e. smart) kids took to a Choose Your Own Adventure with a finger marking each outcome so as to avoid dying or becoming an ant.

A lot of the specifics of the piece will depend on the cast and the improvisations they create, but as a starting place we plan on assigning each of the cast members a characteristic to build their character from. Something stock to give a foundation the (approximate) sixth graders we’re looking for local superstars to build. A sort of kiddie commedia.

Bandying around the sorts of characteristics it would be fun to see folks try on leads for the more introspective participants (yeah alright both of us) to think about where we would have fit in the group. What would my “stock characteristic” have been?

How about small? Very small.

Sixth Grade Graduation

Yes that’s actual sixth grade graduation.

I hadn’t yet discovered cynicism, had only the rudimentary control of sarcasm that all sixth graders have, I wasn’t the class clown, Peter Ivas was. I was smart, but wasn’t the smartest kid in the class, one of the girls was (my money is on Jodie Shafer, but any of Jodie, Nevart, or Megan could have been number one). I was still very unsure of myself only having spent 3.5 years with my family. So I hadn’t become the arrogant know-it-all of high school that fed into the arrogant know-it-all insufferable loudmouth of adulthood.

So I guess I’m going to have to stick with quietish nerd. It’s not where I ended up, but it is where I was…

How about you? What Stock Kids Movie Type were you?

This is Our Town

I am something of an Austin theatre scene booster. I haven’t been at all shy about that. I am rightfully proud of the raw amount of theatre (and art in general) that goes on in a town that has a population only about 30% of Brooklyn’s’. One of my criticisms of the scene is the lack of a regional theatre to anchor the identity of the region and serve as an importer/exporter to the nexus of American theatre. There is justreally no place to grow to.

Of course that’s also a strength in what is a D-I-Y town, do your thing and make it on your own.

It also means that there isn’t a Big Boy in town to root against. There isn’t a Giant in town that is sucking the air out of the room for the indies. There are two larger theatres that pay better, but they’re really just older successful versions of what everyone in town is doing. One a little less adventurous and one a bit more, but how do you root against the theater that sits in the big boy seat and has as it’s “In Trouble Need to Make Money” season:

The Break-Up Notebook
Fiction written and directed by Steven Dietz
The Book of Grace written and directed by Suzan-Lori Parks
August: Osage County
and the yearly Santaland Diaries

Yeah. That’s a tough life. Absolutely there are commercial choices, but they have salaries to pay. And there are commercial choices and there are COMMERCIAL choices.

Way to go Zach! thank you for challenging yourselves every year.