This has been a fallow year for Cambiare Productions. We’re not dead. You can’t kill a guerilla group made up of two people and a mathematician (hi Amanda!). We’ve been busy bathing in other things that interest us, Will has been taking 120 or so shots a day and honing his immense talent for photography into razor sharp skills. Amanda has been chasing free range theorems and proofs all about as she pursues her 17th post-grad degree in the maths. I have noodled about with social media and the infrastructure of New Play development, learning a lot of nuts and bolts about how the bottom of this system works and how social media can make it work better.
That work will continue into the new year, and Will will continue to become the best photographer in Austin, and Amanda will take her math cudgel to an area high school.
Cambiare will take this year to really figure out how we develop plays. We began development on the “Childhood” project last year, aided by three phenomenal talents, but lost traction in part to the fact that as a team we have no process in place to develop works from scratch (adaptation we have a handle on). We put “Childhood” back on the shelf before we broke it beyond future use and decided we needed a new approach and better discipline.
So this year will be spent on at least two development projects with hard deadlines. One of Will’s devising and one of mine. If we manage to develop a presentable piece for next years’ Frontera Fest all the better. If not? Well, we at least hope to share the process here and with other member of the Austin theatre community.
We plan on working closely with the Austin New Works community on the Mellon initiative exploring new works models, and we plan on supporting indie theatre in Austin as much as we ever have.
With a low risk, low budget plan for next Cambiare doesn’t need your end of the year donations. But we would like to suggest places you can drop those final charitable doubloons of 2010 if you are so inclined:
Capital T Theatre is producing some of the finest work in Austin, they are doing it with a high degree of technical polish, they strive to treat their performers professionally at every turn and they lost %70 of their funding for the next year.
Rubber Repertory is making theatre that defies what you thought theatre could be. They do it every year. You leave a Rubber Rep show changed in some way.
PearlDamour is creating a work called How to Build a Forest that I am preemptively in love with as they develop it here in Austin via smaller Forest builds. A long term exploration of the very concept of “forest” and our relationships to them, the finished product in New York will be must see. Get in now and follow the process and you’ll be amazed how touching that process is.
These are the sorts of places that my attention and money go, if you trust me and have no other direction for your year-end giving? these folks will put it to good use.
Every blessing in the New Year from all of us at Cambiare.