Will, Amanda and I decided after Orestes to stop pretending a company without plentiful resources or a building could (or should) operate the same way that a $5M theatre with 15 full time staff operates. It was a good call on our part. It saves us from burning new casino online out, it saves us from wasting resources, it gives us time to work with other folks and groups.
While out playing with another Austin company, Last Act Theatre Company, I worked with Elena Weinberg and Mallory Larson in the Tragedy of Doctor Faustus. Over (at least one) Mexican Martinis at Trudy’s we got to talking about next projects and how to get the two of them in a show together doing all of the wackiest things no one would ever let them do.
We spun a nonsense scenario involving two super competent women debasing themselves needlessly in pursuit of a boy. The same boy. After giggling about how ridiculous it was, and about how funny it would be. There was that pause.
Watch out for that pause it’s a killer. That gap in conversation when you all realize – “Hey that’s not such a stupid idea” and you begin filling logistical holes.
Okay so – Elena and Mallory in a Frontera Fest Short Fringe slot made easy sense but who in the world could write a happening-style gross-out fringe piece about two fierce women challenging gender roles and their self-perception?
Go with your gut.
I’ve known Mariah MacCarthy for some time now, and it’s not that CAPS LOCK Theatre is on a roll or that the Foreplay Play was up for New York Innovative Theatre Awards or that she was just named one of NYTheatre.com 2012 Persons of the Year… it’s that her women breathe fire without sacrificing their humanity. I can’t believe she had time. I can’t believe she said yes.
What happens when you pair fearless dynamic actors with a writer who loves challenging her performers?
I don’t have the first idea. But it will be fascinating.
We’re calling it All About a Boy. It’s not.
It is very much about these women.
Let’s see the lengths they’re willing to go to for another person…
Join us on January 17th as we share our experiment with the Frontera Fest Short Fringe audience at Hyde Park Theatre.