I have been toiling away in the puppet mines on a show called Cruel Circus for the last little stretch, right on the heels of assaying John of Gaunt and and the Bishop of Carlisle in Richard II. We’ll have a little more on that shortly but it was a side project during that time that I want to talk about now.
Howlround is the online journal of the Center for Theatre Commons run off the campus of Emerson College in Boston. They function as a US-focused clearinghouse for folks wrestling with questions large and small about theatre art and business. Editorially they try to run blocks of topical content to concentrate discussion around an idea or problem and attempt to generate heat not just light. Part of that editorial cycle is weeks at a time dedicated to individual city theatre ecosystems. The Howlround editorial team asked me to help curate Austin’s City Series week and I was extremely proud of Austin’s showing.
I wanted to give a broad outline of what it’s like to be a maker in Austin and so I asked Caroline Reck of Glass Half Full, lighting designer Megan Reilly, the Rude Mechs, Robert Faires of the Austin Chronicle, techwhisperer Robert Matney, and Christi Moore of Scriptworks. Combined with a lovely mash note of Austin past from Daniel Alexander Jones I think it serves as a nice sketch of the past, present, and future of Austin theatre.
I know there are lots of folks who don’t like reading long form blog posts and I know there are folks who only read blog posts by folks they know or that are in list form.
So pretend this isn’t a blog post. Pretend it’s just a small book or magazine put out by a bunch of smart folks from your community. I’ve formatted a collected version for your Kindle, Nook, or Kobo and there’s a nicely formatted web version suitable for printing as well.
For the .mobi file. (for the Kindle)
For the .epub file. (for the Nook or Kobo)
Thanks to all the contributors for their work and to Austin’s theatre makers for making this a place worth writing home about.